What Was the Aesthetics of Folk-Politics?
Academic Research Centre of the Academy of Fine Arts, Prague
Václav Magid is a writer, visual artist, curator and editor. The scope of his interests covers the relationship between aesthetics and politics, the role of conceptual tendencies in contemporary art or the legacy of aesthetic theory of Frankfurt School. He holds a teaching position at the Faculty of Fine Arts of the Brno University of Technology.
The term “folk politics” has been recently introduced by Nick Srnicek and Alex Williams to describe a prevailing leftist tactic at the beginning of the 21st century, with its dominant focus on direct action, horizontalism and local solutions. While the hegemony of folk politics begun with the rise of alter-globalism in the nineties, its decline has been represented by the failures of the Occupy Movement after 2011. The seminar will be based on a hypothesis that most of participatory and politically engaged art of the last two decades can be placed in the framework of “folk politics”, which will consequently allow us to apply aspects of its political criticism to the domains of aesthetics and art. Nevertheless, the large part of the seminar will be devoted to exploration of competing theories which have been used to conceptualize participatory and activist art of this era – from Nicolas
Bourriaud’s “relational aesthetics” through Grant Kester’s idea of “dialogical art” up to Claire Bishop’s accentuation of “dissensus” and antagonism, rooted in philosophy of Jacques Rancière. The ultimate failure of the promises of the “folk political” participatory art and the consequent turn to the art of “platforms” will be approached through the analysis of differences between the 7th and the 9th Berlin Biennials.
Culture of Protest/Protest Culture
Institute of Sociology, Czech Academy of Sciences,
Department of Social and Cultural Ecology, Faculty of Humanities, Charles University
The seminar focused on study of culture of protest from a sociological, anthropological and media studies perspectives.
One part presented theoretical approaches to protest. What is a protest? The different kinds of protests. From pressure politics to prefigurative politics.
Second part deal with methodological approach to study protests. The students will learn and practically apply qualitative research methods (participant observation, interviews, media analysis etc.). We analyzed particular forms of theatricality and media representations of protests, e.g. counterculture of the 1960s and the alter-globalization movement around the turn of millennium.
Smells Like Teen Spirit
Department of Theoretic Studies and History of Art, Faculty of Fine Arts, Brno University of Technology
sistant professor at the Faculty of Fine Arts at the Brno University of Technology. In 2009 obtained a post-doctoral scholarship for the research on collaborative and participatory arts which resulted in a monograph entitled Umění spolupráce (Art of Cooperation, 2011) (The art of collaboration). His following book Minulá budoucnost / Past Future (2013) focused on the search for utopian potential of modernity in contemporary art. In 2008-2010 he was active as a curator at Galerie mladých (Galery of Young Artists) in Brno; and curated thematic exhibition Re-romantic (2009), Horká linka (Hotline, 2010), Vzpomínky na budoucnost II (Memories of the Future II, 2013), Apocalypse Me (2016) and Letting Go (2017). Jan Zálešák is also a member of Skutek Association and Are (are-events.org) Association.
The aim of the lecture is to offer a background for Václav Magid’s seminar entitled What was the Aesthetics of Folk-Politics? It will introduce several “case studies” – examples of artistic projects that declare the intention to achieve a change in the social fabric, in the way how politics is done, or how wealth and power are distributed, ranging from the early 1990s ‘new genre public art’ (Suzanne Lacy) or ‘relational aesthetics’ (Jens Haaning) to recent efforts to re-invent political art (Jonas Staal).
Towards an Alternative Social History
Institute of Ethnology and Cultural Anthropology, Faculty of History, University of Warsaw
In my presentation I will show how the unnoticed traditions of social selforganization born in rural Poland may reveal deep conflicts embedded in Polish society during the last decades. I draw on something that could be called “the culture of shaming” – a perspective that appears where modernizing discourses on Polish society are confronted with the cultural experiences of Polish farmers and villagers. I subsequently explore several possible ways of going beyond this perspective: turning to the world of rural social subjectivity as it emerges from artistic and ethnographic projects, investigating the conditions of belonging and the possibilities of performing an ‘inward turn’, and exploring the potential to construct an alternative understanding of society – a proto-sociology. In my argument, artistic projects are linked with ethnography, and above all with the possibility of revealing an alternative social history, capable of reversing the fixed assumptions about the contemporary Polish society. The presentation will include a display of film materials.